徐州雅思考題回顧預測
104 2017-07-31
12月19日雅思考試聽力回顧
S1電話詢問附近library信息S2野營公園S3兩個音樂專業(yè)學生對樂器和演奏曲目的看法S4Engineer的道德倫理
朗閣名師Rainbow點評
本次考試難度中等偏上。場景:本場考試場景依然為主流場景。咨詢場景,旅游活動場景,學術討論,講座等都可在聽力場景高頻詞中找到所填原詞。填空題中所填單詞整體難度不大,但是需要特別注意的是單復數(shù)的問題,S1與S4中均有復數(shù)單詞,例如artists,bridges,films等。S4中除了sweetener(甜味劑)略難,其它詞匯都較為常規(guī)。但是對于單詞拼寫方面要小心,例如licence,pressure,magazine等,避免不必要的失分。題型:填空選擇比例保持在20:20,S1題型全填空,S2地圖+多選,地圖為配對型地圖題。有一定的難度,抓準方向詞是解題的關鍵,S3中今年出現(xiàn)較多的單選+搭配的題型被替換成了多選+搭配。作為聽力考試中最難的兩種題型并且被放在了一起,對整個聽題節(jié)奏感的掌握以及同義替換的理解要求相當高,S4也依舊為全填空。機經(jīng):本場考試為兩舊兩新,S1和S4為舊題,S2和S3為新題備注:本場考試出現(xiàn)了多道多選題,均為五選二。對于多選題的解題技巧,同學們需要掌握選項中同義詞的替換,并且能夠及時捕捉到信號詞,這樣才能在考試中輕松解題。
考試預測
12月19號為今年最后一場考試,明年前幾場考試依舊可以按照今年的趨勢來進行備考,扎實的基本功永遠都是復習的核心。1.場景方面,重點依然可以放在S1的咨詢、工作租房;S2的各類旅行活動;S3的選課討論,作業(yè)討論,學術研究;S4的各類講座上,尤其是商業(yè)經(jīng)濟、動植物和人文歷史,請加強聽力高頻場景詞匯的復習,務必保證拼寫準確,大小寫、單復數(shù)準確。2.S2,S3部分加強配對題的練習,尤其是S3中選擇與搭配的題型設置。加強練習審題時間的合理安排以及對同義替換的理解,可多參考劍橋系列同類型題。3.明年一開始為新題月,聽力部分建議少看機經(jīng),加強基本功的訓練。例如單詞的拼寫,對應題型的練習等,同義替換的理解與記憶。如需參考機經(jīng),請參閱11-14年的舊題。
Part2高頻題目匯總(加粗題為高頻)
人物類:
A person you know who speaks another language very well
A person who dresses well/who is fashionable
A person who likes to travel by plane
A person in the news you’d like to meet
A family member you spent most time with
A child who made you laugh/a time when a child made you laugh
A person whose job is important to the society
A person who can do well in work
地點類:
A historical building
A house or apartment you’d like to live in it
A place you can relax
A restaurant or a café you like
A street you know well
A foreign country you want to visit but you haven’t been to
A place you can read and write
A park or garden you visited
事件類
A situation you had disagreement with your friend
A paid job you ever did
A happy family event from your childhood
A time you got up extremely early
An important festival in your country
An educational trip
A recent happy event
Something you do to stay healthy
A change that will improve your local area
A successful thing in your life
A long car journey you had
A long walk
A group activity
A time when you feel surprised to meet someone
A life stage you enjoyed the most
Something want to learn in the future
A time you watched the sky
A time you decided to wait for something
Something important you forgot to do
An occasion where someone made noise
What you would do you if you had a day off(from study or work)
物品類:
A painting or a work of art in your school
A small successful company
A gift that took you long time to choose
An electronic device you want to buy
Something borrowed from others
New skills
A picture or photograph in your family/A picture or photo you like most
媒體信息類:
A law about environment in your country
A particular song that has influence on you
A movie you have watched in a cinema or at home
An educational TV program
An article about health you read recently
朗閣名師點評
1) Part 1:今年最后一場考試,話題依然穩(wěn)定,波瀾不驚,最高頻的仍是關于work/study的內(nèi)容,同時hometown, reading, sleeping, films, trees等題與平時生活息息相關,烤鴨們在熟悉話題時注意細節(jié)的詞匯及表達方式積累。
2) Part 2:上框粗體為高頻話題,備考練習時務必串聯(lián)同類話題,靈活整理,做到自然地說出內(nèi)容,同時注意時態(tài),連接詞等細節(jié)。
來自何雨夕老師的考試預測
To make an end is to make a beginning. 2016年的雅思口語話題定會越發(fā)豐富,考官們也許會越發(fā)嚴格,但烤鴨們?nèi)詰_有效地積極備考, Part1留心于與自己學習工作生活緊密相關的熱點話題,Part2注意話題總結歸納,合并關聯(lián)話題;Part3 從多細節(jié)和廣思路兩種要求入手準備。Know thine enemy, know thyself, and you will win.只有掌握高效的學習方法,了解考情,才能行之有效地應對雅思考試。最后提前祝大家Merry Christmas and happy new year!
12月19日雅思考試閱讀回顧 |
P1 古代生物 P2 Emotion P3 Children’s literature |
朗閣名師周家宇點評 |
1. 本次考試難度中等偏上。 2. 整體分析: 1篇為舊題。涉及考古(P1)、人類行為(P2)、文學類(P3). 3. 主流題型:判斷和配對比重很大;判斷題出現(xiàn)在兩篇文章中;幾種形式的配對也出現(xiàn)在兩篇文章中。 P1 古代生物 答案: 1. researchers creatueres 2. 陸地生物F 應該是海洋生物 3. 爪子抓取食物food 判斷題6 填空4 表格填空3 P2 Emotion 文章大意:人的情感對人的影響如壽命等在緊張壓力情況下會導致疾??;有壓力狀況下人的關注點不 同(積極-樂觀/消極-悲觀);壓力的積極方面 1. 人得出結論是beyond the expectation 2. Life span 3. Pressure positive 4. Pressure positive personal society
段落信息匹配6 人名匹配5 填空3
P3 Children’s literature 參考原文: A Stories and poems aimed at children have an exceedingly long history: lullabies, for example, were sung in Romantimes, and a few nursery games and rhymes are almost as ancient. Yet so far as written-down literature is concerned, whilethere were stories in print before 1700 that children often seized on when they had the chance, such as translations of Aesop’sfables, fairy-stories and popular ballads and romances, these were not aimed at young people in particular. Since the only genuinely child-oriented literature at this time would have been a few instructional works to help with reading and generalknowledge, plus the odd Puritanical tract as an aid to morality, the only course for keen child readers was to read adultliterature. This still occurs today, especially with adult thrillers or romances that include more exciting, graphic detail than isnormally found in the literature for younger readers. B By the middle of the 18th century there were enough eager child readers, and enough parents glad to cater to thisinterest, for publishers to specialize in children’s books whose first aim was pleasure rather than education or morality. InBritain, a London merchant named Thomas Boreham produced Cajanus, The Swedish Giant in 1742, while the more famousJohn Newbery published A Little Pretty Pocket Book in 1744. Its contents —rhymes, stories, children’s games plus a freegift (‘A ball and a pincushion’) — in many ways anticipated the similar lucky-dip contents of children’s annuals thiscentury. It is a tribute to Newbery’s flair that he hit upon a winning formula quite so quickly, to be pirated almostimmediately in America. C Such pleasing levity was not to last. Influenced by Rousseau, whose Emile (1762)decreed that all books forchildren save Robinson Crusoe were a dangerous diversion, contemporary critics saw to it that children’s literature should beinstructive and uplifting. Prominent among such voices was Mrs. Sarah Trimmer, whose magazine The Guardian ofEducation (1802) carried the first regular reviews of children’s books. It was she who condemned fairy-tales for theirviolence and general absurdity; her own stories, Fabulous Histories (1786)described talking animals who were alwaysmodels of sense and decorum. D So the moral story for children was always threatened from within, given the way children have of drawing outentertainment from the sternest moralist. But the greatest blow to the improving children’s book was to come from anunlikely source indeed: early 19th-century interest in folklore. Both nursery rhymes, selected by James Orchard Halliwell fora folklore society in 1842, and collection of fairy-stories by the scholarly Grimm brothers, swiftly translated into English in 1823, soon rocket to popularity with the young, quickly leading to new editions, each one more child-centered than the last.From now on younger children could expect stories written for their particular interest and with the needs of their ownlimited experience of life kept well to the fore. E What eventually determined the reading of older children was often not the availability of special children’sliterature as such but access to books that contained characters, such as young people or animals, with whom they couldmore easily empathize, or action, such as exploring or fighting, that made few demands on adult maturity or understanding. F The final apotheosis of literary childhood as something to be protected from unpleasant reality came with the arrivalin the late 1930s of child-centered best-sellers intend on entertainment at its most escapist. In Britain novelist such as EnidBlyton and Richmal Crompton described children who were always free to have the most unlikely adventures, secure in theknowledge that nothing bad could ever happen to them in the end. The fact that war broke out again during her books’ greatest popularity fails to register at all in the self-enclosed world inhabited by Enid Blyton’s young characters. Reactionagainst such dream-worlds was inevitable after World War II, coinciding with the growth of paperback sales, children’slibraries and a new spirit of moral and social concern. Urged on by committed publishers and progressive librarians, writersslowly began to explore new areas of interest while also shifting the settings of their plots from the middle-class world towhich their chiefly adult patrons had always previously belonged. G Critical emphasis, during this development, has been divided. For some the most important task was to ridchildren’s books of the social prejudice and exclusiveness no longer found acceptable. Others concentrated more on thepositive achievements of contemporary children’s literature. That writers of these works are now often recommended to theattentions of adult as well as child readers echoes the 19th-century belief that children’s literature can be shared by thegenerations, rather than being a defensive barrier between childhood and the necessary growth towards adult understanding.
題目僅供練習 Questions 14-18 Complete the table below. Choose NO MORE THAN TWO WORDS from Reading Passage 2for each answer. Write your answers in boxes 14-18 on your answer sheet.
Questions 19-21 Look at the following people and the list of statements below. Match each person with the correct statement. Write the correct letter A-E in boxes 19-21 on your answer sheet. 19 Thomas Boreham 20 Mrs. Sarah trimmer 21 Grimm Brothers List of statements A Wrote criticisms of children’s literature B Used animals to demonstrate the absurdity of fairy tales C Was not a writer originally D Translated a book into English E Didn’t write in the English language Questions 22-26 Do the following statements agree with the information given in Reading Passage 2? In boxes 22-26 on your answer sheet write TRUE if the statement agrees with the information FALSE if the statement contradicts the information NOT GIVEN if there is no information on this 22 Children didn’t start to read books until 1700. 23 Sarah Trimmer believed that children’s books should set good examples. 24 Parents were concerned about the violence in children’s books. 25 An interest in the folklore changed the direction of the development of children’s books. 26 Today children’s book writers believe their works should appeal to both children and adults.
選擇4 判斷4 句子配對4 Heading 1 |
考試預測 |
1. 判斷題的練習和思路分析很必要,可回顧錯題。配對題有增多的趨勢。下場考試注意段落細節(jié)配對,填空題的解題注意點也要強化,這三種題型都是近來的重點考察項目。
預警小題型:多選 。
2. 下場考試的話題可能有關動物類、教育類、科技類。
3. 重點瀏覽13年機經(jīng)。 |
12月19日雅思考試寫作回顧
小作文: bar柱圖
The percentage of men and women aged 60 to 64 in employment in four countries in 1970 and 2000.
大作文: Some people think cultural tradition are destroyed when they are used as making-money attraction to aim at tourists, while others think it is the only way to save/protect them.Discuss both.
朗閣名師Emma點評
1. 本次考試難度中等。
2. task1:四國男女就業(yè)率對比。動態(tài)圖——除了每個國家男女比例的變化,注意比較男女差距:哪國就業(yè)率的gender gap是the most substantial。
可參考《高分范文書》P64男女參加體育運動比較的靜態(tài)柱圖,同時描述各類的動態(tài)變化;
3. task2:常見話題。旅游景點會破壞文化傳統(tǒng),還是會保護文化。
雙邊討論,但是注意要提到保留傳統(tǒng)文化并不是只有旅游所能達到的,即旅游并不是the only way。
參考論點:
正方觀點:旅游業(yè)有利于文化保護
1. tourism 和cultural heritage相結合(integrate)能給保護文化提供economic incentives(financial support).
2. Museums, historical sites and ruins 能使游客深(get a deep insight into)當?shù)亓曀? 體驗local traditions, art and heritages, respect the host community and its environment, 推動不同國家間natural and cultural resources的交流(exchange).
反方觀點:旅游業(yè)有害于文化保護
1. 制造大量pollution and waste.游客丟棄的垃圾(discarded by travelers) 會對景點造成負面影響exert a negative impact on the tourist spots and local cultural ruins.
2. 過多的Excessive建筑(roads, hotels etc.)會破壞destroy/spoil自然棲息地 natural habitats and the landscape.
3. 由于異國文化沖突 the exotic cultural conflicts,傳統(tǒng)文化和技能消失,(e.g. Farming, fishing)。當?shù)鼐用馻re forced to work in the tourist industry, which would call their attention on economic benefits and lose sight of 文化保護the cultural conservation.
舊題回顧:(2005.3.19)
Some people say that travel can destroy traditional culture when they are used to be the attractions to the tourists. Others believe it is the only way for it to be remained in the world. What is your opinion?
考試預測
1. 小作文:重點關注餅圖和表格。
2. 大作文:多關注旅游,環(huán)境,政府類話題。
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